tysg AAM secures $66m to support European digital conversion
Krky IMAX pacts with CinemaxX in GermanyLara Croft Tomb Raider: The Crad stanley cup le Of Life opened at number one in Japan s nine metro markets, taking an average of Y6,629,364$59,724from 22 screens for a total of Y145,846,000$1,313,928 . This compares with Y212,263,300$1,912,282on 22 screens for an average of Y9,648,332$86,922for Lara Croft: Tomb Raider, following its October 6, 2001 release. This drop of 31% is not nearly as steep as the plung stanley cup e in the seriesUS box office, from $131m for the first film to $65m for the second. Both star Angelina Jolie and director Jan de Bont came to Japan in early September to promote the film. Also, Jolie s Lara Croft persona has made her a favorite a stanley cup mong young Japanese males - a demographic distributor Toho Towa has assiduously cultivated by plastering Jolie s image, in form-fitting vinyl, on larger-than-life posters in every Tokyo entertainment district. No comments No comments yet You re not signed in. Only registered users or subscribers can comment on this article. Sign in Register Gmyd Other Angle fliesLarry Gaye: Renegade Male Flight Attendantto Middle East, South Africa
Motion Picture Association of America chairman-chief excecutive Christopher Dodd confirms opposition to Digital Single Market proposals in CineEurope keynote address.At the open stanley cup ing ceremony of the CineEurope exhibition conference in Barcelona, Motion Picture Association of AmericaMPAAchairman-chief excecutive Christopher Dodd delivered his strongest battle cry yet against EU proposals for a digital single market.Backing up comments he made in Berlin in February, the former US senator declared thatthis issue is critically important to the survival of this industry. While the proposals for the digital single market are laudable, offering greater choice for European consumers and strengthening cultural diversity, in reality these ideas could very well do the exact opposite of what they claim to be their goals, causing great harm to Europes film industry . This is not mere rhetoric,he added.These concerns are very, very real. As the organisation representing the six Hollywood studios, the MPAAs stance has been a welcome one for European industry as it continues to lobby against any potential infringementstanley cup on the principle of territorial licensing, which the European Commission could bring instanley us with its DSM proposals. Some have felt that Hollywood could be a beneficiary if geoblocking was eliminated altogether in Europe.But Dodd made it clear that the MPAA is siding strongly with European producers, distributors and exhibitors. While praisingan exciting new collaborative
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